Swinging Jenny is "Huge!"

For the first time I get to see the Man standing up, even if he is headless
    This is the first time I have ever seen the man's body standing up.     I have a 10' ceiling in my studio so I was never able to stand up the working model and see how tall it feels.



 When I worked on the whole body of the figure it was in the horizontal position.


   At the ART Foundry they hoisted up Jenny so I could get an idea of how it will feel.  She will actually be a couple of feet higher and the arms will meet and be welded together.  They couldn't get the position any better without redoing the sling and moving a lot of stuff to get the two cranes close enough together.  Not worth the bother.  There was too much real work to do.

      There was a lot of engineering to figure out how to make the sculpture strong enough so that it is safe to have Jenny cantilevered out twenty two feet from the leaning back man.  Inside the bronze casting they have to fit an armature of heavy stainless steel pipe ranging from 6" in diameter and almost 1" thick walls in the man's legs  tapering down to 2.5” dia SCH80 (2.88”x0.276”) in Jenny's torso.  

      The amount of work they have to do to get the pipe inside the sculpture is amazing to me.  First they tack weld the cast bronze sections together to create the proper shape.  Not an easy job since the man was cast in 25 separate pieces and the Jenny in 19 pieces.   Putting these back together to recreate the shape of the working model that I made back in my studio was no easy task.  Then they have to take off the outer cast bronze sections so they can fit sections of the stainless steel armature into the sculpture and weld them together as well as to the bronze outer shell.

Welding the stainless steel armature in place.  Lying on the floor are the cast bronze pieces that will be welded back over the armature.



Jenny's braids were cast separately from the head.  With my guidance they tack welded them into just the right place.

     We did a test of patinas.  You can also get a good idea of what the texture looks like.
So which patina do you like best?


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JV 50 Christmas Special 2002 ©